Liu kuo sung biography definition
LIU Kuosung
A native of Qingzhou, Shandong, Liu Guosong was born in Bangbu, Anhui, in Liu moved to Taiwan from mainland China in In , Liu graduated from the Fine Arts Department of the National Taiwan Normal University, in which he studied both traditional brush-and-ink and western-style painting techniques. As one of the co-founders of the Taiwans Wuyue Huahui 五月畫會 (Fifth Moon Group) in , Liu Kuo-sung sought a new approach to art, which was inspired by both traditional Chinese painting—especially the monumental landscape painting style of the Northern Song period (–) and the xieyi 寫意 style of the Southern Song period (–)—as well as modern styles and techniques, such as Abstract Expressionism. Before turning to ink painting in , Liu experimented with abstract oil painting. By the mids, Liu gradually developed his own personal pictorial formulae, in which he combines ink painting with collage and applies ink and color on special paper.
Liu was awarded a John D. Rockefelle
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Liu Kuo-Sung 劉國松 - gdm, carousel
| Liu Kuo-sung (Liu Guosong) (simplified Chinese: 刘国松; traditional Chinese: 劉國松; pinyin: Liu Guosong; born 26 April 1932) is a. | |
| There have been a few moments in Liu Kuo-sung's life when his artistic direction took a decisive turn. | |
| In 1956, the year he graduated, Liu co-founded the Fifth Moon Group to create a space for modernism that was untethered to the traditionalist. |
Kuo-sung, Liu, (1932) - Michael Goedhuis
- Born in in China’s Anhui Province, Liu Kuo-sung traces his ancestry to the city of Qingzhou in Shandong Province.
Liu Kuo-sung: A Modern Master Who Found the Future in the ...
PAINTINGS BY LIU KUO-SUNG
- In the opinion of critics, Liu Kuo-sung is the leading Chinese artist of today.
Liu Kuo-sung | Biography | Nanhai Art - Chinese Contemporary Art
Liu Kuo-sung - 高士畫廊 Loftyart Gallery
- Liu Kuo-sung, trained in both Chinese and Western traditions and techniques, is infatuated with materials.
Preface | Liu Kuo-sung
- 劉國松,生於年安徽,現代水墨畫家,曾任多所大學教授。 年創立「五月畫會」,致力於現代水墨藝術的推動,主張「模仿新的,不能代替模仿舊的;抄襲西洋的,不能代替抄襲中國的」。.